Monthly Archives: December 2008

Looking Through the Viewfinder at Mick “Mick Ø” Orlosky.

Interview #2.

I first became aware of the talents of Mick on PhotoPhlow around the middle of 2008. Since then I am happy to say he has become a great mate who is more than happy to help out his antipodean friend with helpful advice and a terrific sense of humour. If he lived in Australia, there is every chance his nickname would be Blue. There are 16 very interesting facts here on his Flickr stream. He should stay away from VCRs and alarm clocks. His latest B&W film photography is inspiring.

Onto the interview.


Firstly, the standard opener, can you tell us a bit about yourself. Things like age, job, where you live etc.

I’m an old thirty-six based in Los Angeles, California USA. I’m a digital media product manager who’s looking for work. Anyone with a social media site would do well to hire me.

What started you out in photography and how long have you been into photography seriously?

I took photography courses in both high-school and college, but didn’t learn a thing and it didn’t really take. In my late 20s I dated a wonderful photographer and I got my first digital camera then, an Olympus 1.3mp wonder, for a trip we took to Alaska. It was a D-460Z. I got it from one of those shady NYC vendors they tell you never to order from. I got lucky. The place I got it from got shut down soon after, That should have been a sign, right? I’m still not to a point where I’d say I was into photography seriously. I love it more than anything, though. When I get a Leica, then we can say I’m serious.

But, perhaps you might like to know about my first SLR. On a nameless weekday in 2005, I wandered, on my lunch hour, to a North Country Camera in Escondido, CA with my buddy Greg. They had the first ever digital rebel on display. It was $999. The fellow at the counter popped it on and handed it to me. I had no clue in the world what to do with it. I looked through the finder as if that would tell me anything. I was less than clueless about any of it. I looked at it blankly. I said, Oh this is nice. I was gonna leave, but Greg lobbied me hard. He gave me the old “you only live once” line. He was the devil on my shoulder. I caved and plopped down my credit card. The charge was denied because my credit card company didn’t believe I’d really get it either. I had to call them and convince them I was for real. That should have been a sign, too, right??

He even has fans in Australia!

I first met you on photoPhlow. You are well regarded in the main photoPhlow chatroom. It has certainly helped me in my photography and blog making. Has it changed the way you look at photography, and if so, how?

I can’t believe you don’t remember our first encounter at that warehouse party in Canberra. I know we were drunk, but….

Seriously, the wonderful personalities I’ve been lucky to encounter in Photophlow have influenced me immensely. Indeed, I never would have guessed I’d take up film photography, and now it’s all I like. I am inspired by some great people and buoyed partly by their skill, but mostly by their spirit and kindness.

What do you find challenging in photography? And what comes easily?

Taking pictures is easy. Taking good pictures is also easy. Identifying the good ones is hard. Getting over the fear of photographing people is also very difficult. I am wrestling with the moral calculus of it. What do you take from someone when you steal their photograph?

What lens cant you do with out? And what is your favourite camera?

All lenses are disposable. I wish someone had told me that in the beginning. It’s the lighting that is the key. My favorite camera was the Canonet QL17, until it was stolen. That had a surprisingly hard effect on me. I felt I was making amazing progress with it. I recently received a new one through the kindness of a Phlower. I am oerwhelmed by magnitude of the gesture, and I hope I can regain my symbiosis with this new member of my family – the Canonet.2, Revenge of 35mm!

Is there a style of photography you don’t enjoy?

I don’t enjoy kidsploitation! Using these innocents to create photos and then share with the world can be a little creepy. Perhaps some of these children photos should be kept among friends and family. But, it’s also possible I’m just jealous. For some reason I also don’t like pictures of big beefy guys in small speedo suits. But, it’s again possible I’m just jealous.

When taking a photo, what do you concentrate on mostly? Composition, lighting, focus?

I generally want to look for what the light is doing. Focus should be unconscious at this pont. Composition is almost unconscious as well, though mine needs some improvement. The light is one thing that is never immediately obvious, and it will make or break the photo. Interesting light can overcome a flawed subject. A great composition can be worthless if the light is wrong.

You have recently jumped into film photography. How did that start and what do you enjoy about it?

I started because of what I saw from some of my favorite photographers. What I like about film is how it teaches you to think ahead. By the time you click the shutter, some very important decisions have already been made — more than with a digital camera. With digital photography, those decisions with me were made much much more haphazardly. I got some excellent photos through luck and brute force. With film, every part of the photographic process seems to make more sense to me. I hope that it can help my digital work eventually. It will be a search for balance, a search for discipline, a search for glory! .

Apart from photography and music, what do you enjoy doing?

I like strapping on the boots and heading up hills or small innocent mountains. It’s hard to find spaces without a lot of people where I am. I like to read non-fiction, entry-level physics, and philosophy. I also love going to a baseball game, or sometimes even better lounging in a late-summer evening with a game on the radio.

What is the best photography advice you have been given, and what best life advice?

‘If your photos aren’t good enough, you’re not close enough.” War photographer Robert Capa said that and I really understand what he was saying. Of course, he died when he got close enough to a landmine. The most relevant life advice I’ve ever been given was by my mate in cllege when he told me. “No matter how bad it is, it’s just going to get worse.” As perverse as that sounds, it’s always helped me to focus on the present.

You have 3 shots left to take. You can go anywhere and meet any one. What do you photograph?

For #3, I’d photograph Bruce Sprinsteen alone on stage with his telecaster, in a small packed venue. There would be a good number of other photogs jostling with me, but I’d get the best angle. There would be a lot of sweat and earplugs involved.

For #2 I’d take a portrait of Raymond Smullyan, the writer/thinker who has most infuenced my life. It would be him in the midst of stacks of books, dusty and unending.

Finally #1, I’d photograph my brother in his element, on the job at the Bronx Zoo.

Who are 3 other Flickr members who you admire, and why?

There are too many to mention. I hate to answer this for the ones I’d leave out. But, in no particular order

Radonich Aleksandra, for her flawless portraits of Serbian life.
A Different Perspective, for his uncanny industrial details. What an eye on this guy.
WatermelonSugar, for her tales of the American road to the past.

When you grow up, what do you want to be? Or who would you like to be?

I think I’m well-qualified to be a bikini inspector. I think I have the eye for it.

LomoStrobo, is it the next huge thing in photography?

Oh! No, no, not at all, the next thing? No. I don’t think the world is ready for it yet. Though, certainly I’ll be recognized thirty years after my death. Eventually, eventually, I’ll be considered a genius. But, not any time soon.

And lastly, a quick fire 5 questions. Just tell us what
springs into your head when you hear these words.

Strobist.
— Genius!

Bokeh.
— Is it Wednesday??

Film.
— Skin

f/1.2.
— Good for bokeh?

Lomo.
— Oh no!


Many thanks to Mick for taking the time to do this interview. I hope you found it as interesting as I did.

So, you have a fancy camera, can you photograph my wedding?

Who has heard words to that effect? I wonder if it had the same effect on you as it did me? See, I am not a huge fan of portrait photography. Not being the best people person doesn’t help at all. Landscapes, macros, sunrise/sunsets all seem easier than trying to photograph people. Its a bit of a bugger really, because it seems like that is where the dollars are. I have photographed one wedding, and I doubt I will do another. It is very stressful. This is one couples big day, and you don’t want to stuff it up. I know all about that. We took the cheap route with our wedding photographer, and the results weren’t very good at all. You get what you pay for it seems.

What about other portrait work? Well just recently I was asked to take some photos of a friends two daughters. “No problems” I said with out thinking. It took a while, but eventually, it was organised. I will be honest and say it was a sleepless night beforehand. I don’t know why I worried, I wasn’t being paid, and they live a few streets away, so it isn’t like it couldn’t be done again if I completely stuffed it up.

As it turned out, I really enjoyed it. I learnt a hell of a lot and the photos didn’t turn out to badly either.

The GirlsThe Girls.

This shoot has really helped my confidence. The girls mum loved lots of the photos. I was happy to Photoshop them to get all the types of photos she was after, and she got them printed up before christmas for some of the relatives. Apparently they all loved them as well. So maybe there is a future in this portrait type stuff. I imagine it must be easier with people you know, but I am actually looking forward to doing it again to see if I can put into practise what I learnt on that day.

So, have you heard those words before, “Can you photograph my wedding/birthday/children?” and how did you handle it?

Sixteen (PSD)



Sixteen (PSD), originally uploaded by norbography.

In response to this ……….

Sixteen Random Things About Me

1. I enjoy my own company.
2. I sometimes make up my own words.
3. I am good at swearing.
4. I am ambidextrous at a lot of things.
5. I can’t stop buying $10 cameras off eBay.
6. I have broken or dislocated quite a lot of bones and joints.
7. I am a very conservative driver most of the time.
8. I am unorganised.
9. I have a lot of strong views on politics and religion etc
10. I am forgetful.
11. I don’t have a clue what my ideal job is.
12. I want to do another charity pushbike ride. www.helpnorbshelpthekids.com
13. I am going grey.
14. I am not ambitious.
15. My mother in law thinks I look like Anthony LaPaglia.
16. I don’t think I look like Anthony LaPaglia.

2008, looking back at the photos.

With the year winding down in an awful hurry, it seems all the big players are posting their “Year in review” articles. And better still, alot of them are photographic year in reviews. Some that I have found so far are….

The Age right here in Australia have 176 photos from the past year.
The Boston Globe’s excellent site, The Big Picture, has parts one and two of a three part series. It really is worthwhile keeping an eye on their site, it is tremendous.
Travel photographer of the year have the list of winners here.
MSNBC have a fantastic multimedia display looking back at the past year. And also a wrap up of the sports shots of the year.
Time magazine has their wrap up here. McCain being patted down by security makes me smile.

If you find anymore, let me know.

Photographers on the other side of the camera

Why is it that a lot of photographers don’t like having their photos taken? I know I don’t. I don’t mind the occasional self portrait, but having other people take my photo makes me uncomfortable. Is it a control thing? Is it that I am 20kgs over weight? Is it that I have a face like a dropped pie?

Fade to Black  (PSD)

Do other photographers have the same thoughts? Are you comfortable in front of a camera, instead of hiding behind it? Does the camera love you baby, yeah! Maybe the people that take a lot of portrait shots are more comfortable than those who don’t.

Looking through the viewfinder at Lakshal “Lucky” Perera.

Something new today, an interview with a terrific photographer that I know through Flickr. Lakshal Perera, or as most people know him, Lucky, has been kind enough to spare some time and answer a few questions I sent him.


Thanks for taking part in the 1st of what I hope is a long line of interesting interviews Lucky. Firstly, can you tell us a bit about yourself. Things like age, job, where you live etc.

I’m 27 and live in Wollongong. I’m still a uni student, I’ve just about finished my PhD in Medical Physics. We do a bunch of research into the treatment and detection of cancer using radiation. I’m working on a new scanner that can pick up brain and breast tumours when they’re a little smaller so I consider that my contribution to society. 🙂

What started you out in photography and how long have you been into photography seriously? To make it easier, when did you buy your 1st L series lens?

I honestly can’t remember why I bought my first camera (a Canon 350D) 2.5 years or so ago, but I started out doing a lot of live music photography. It was fun and meant I could get into gigs for free which sounded like a good deal to me. I’ve been getting into it a more seriously in the last 18 months or so which roughly correlates with the start of me having no money… Interesting…

As anyone who watches your Flickr stream knows, you are coming to the end of the 52 weeks project. How have you found it and what drove you to do it? Also, what is your favourite image of the nearly completed series? I was really hoping for a Baywatch themed photo. 🙂

It started off as an exercise for me to teach myself how to use flashes and set up lighting. After around 5 weeks or so, I came to the realisation i could actually tell a story about myself, and my ideas, through these photos. I try and keep them funny if I can, and generally I’d hope they’re informative to people as well. I’m starting to feel the weight of expectation with each coming week, it’s becoming harder and harder to produce something that I’m happy with, and also something other people will like as well. At the end of the day, I’m doing this experience for myself, and the fact other people enjoy it is something that gives me great happiness, but doesn’t actually motivate and drive the project.

I think my favourite photo is Week 29, Approximately Twenty Seven Years and Nine Months Ago, Two People Did Something Very Silly

Week 29

Sorry to disappoint you but my boobs are slightly smaller than Pamela Anderson’s so I probably won’t be able to pull off a Baywatch one anytime soon!

What do you find challenging in photography? And what comes easily?

My biggest challenge is being visible as a photographer. I feel uncomfortable with people watching me work, or even being aware that I’m there. I’d much rather prefer to be a totally invisible photographer because I think 90% of people react differently when they see a camera in my hands. I guess this fear comes out on a large scalewhen shootings weddings; I make sure that I ask everyone to pretend I’m not there to make things a little easier for me.

The positive aspect of this is that by pretending I’m not there, the natural style of a lot of my portraits (especially wedding ones) show how people look in real life. Cameras can be so misleading in representing how a person looks so I think it’s really important to make the photographic representation of someone look as close as possible to the memory we have of that person in our mind. I find that I’m becoming better at doing this and a lot of people appreciate that kind of image I think (well I hope they do!).

What lens cant you do with out?

I don’t really have a lens i can’t do without, so to speak. I shoot with all primes (except my 16-35 2.8L) so most shots require me to zoom using my legs. Ideally, I can take any photo I want assuming my legs can get me close enough or far away enough. 🙂
But if we’re talking favourite lenses, I can’t go past my 135mm f2L. I don’t use it as much as I’d like to as it’s a little too long most of the time, but I don’t think I’ve ever taken a photo with that lens that I haven’t liked. It’s super fast focusing and when it hits the focus, it’s the sharpest lens in Canon’s range, even when wide open.


Is there a style of photography you don’t enjoy?

I’m not a hater of any photographic styles, but there are many I’m not good at. This includes landscape photography and ones that require organisation of groups of people. I haven’t had a go at macro stuff, but it doesn’t really interest me that much to be honest. In terms of the end result, HDR is truly an abomination. In the hands of a tasteful photographer it can be a fantastic tool and a great enhancer of images, but 95% of the stuff out there is the exact opposite. I’m also truly despise the “Happy Bokeh Wednesday” phenomenon that’s huge on flickr. While I accept that playing with bokeh and depth of field as part of the learning process in photography, it’s nothing that’s new, nor is it particularly challenging. I don’t mean to be a “hater”, it’s just that there is so much great stuff out there that people deserve to see, but having 80 out of the first 100 shots on flickr’s explore being shots of flowers with bokeh doesn’t allow that kind of widespread viewing to happen. Explore is the main way that a lot of people get their stuff seen by people outside of their contacts and it seems sad that there are so many great photographers who don’t get the exposure they deserve.

When taking a photo, what do you concentrate on mostly? Composition, lighting, focus?

I honestly tell everyone that I point and shoot. I’m not being dismissive, it’s the truth. I’m comfortable with choosing my exposure and depth of field so I tend to just get my camera settings right for where I am and then click away. Composition comes relatively easily to me, I guess I don’t think about it that much. My style generally involves shooting with my lens wide open most of the time so I tend to fiddle around with my auto-focus point quite a bit to get the composition I want while maintaining focus on what I want. Besides that, I really encourage people not be scared of using the Aperture and Shutter priority modes of their camera, they can help you pretty significantly in a lot of cases.

You obviously know more than the avergae bear about Photoshop. Could you survive with out it, and how important is it to get the shot right in camera?

I can probably survive without Photoshop, but I wouldn’t have to enjoy it! A digital photo is only an interpretation of reality so that extra step of fudging the image in Photoshop isn’t a huge moral dilemma for me like it is for some people. But at the end of the day, you can only fix up small flaws in Photoshop, the composition and the exposure (as a whole), come straight out of the camera without much leeway for manipulation. You can’t polish a turd. 🙂

Apart from photography and romantic walks on the beach, what do you enjoy doing? Obviously music plays a big part in your life.

Music does play a large part in my life, I’m surrounded by it for nearly 90% of my waking day. It’s in my room at work, in my car and on my computer at home. I used to get into it a lot more in the past, but there’s so much awful rubbish out there now that finding new music has moved from the world of radio onto the internet.

I hang out with my girlfriend Soph most of the time, we both have a passion for football (the real one you play with your feet) and we play together on an indoor team. We both also play outdoor football in the winter and we tend to go and watch each other play on most weekends.

I also don’t mind having a noodle around on my guitar at home when I get some time off. I bought my dream guitar about 2 years ago, a Butterscotch coloured Fender Telecaster, so it keeps me happy. I’m also a bit of a guru at Guitar Hero. 🙂

What is the best photography advice you have been given, and what best life advice?

Hmm, my best photographic advice isn’t so much a technical bit of advice but it came from a good friend of mine who’s a very talented artist. She said to believe in your work and to never ever denigrate it in front of other people, it puts a certain level of expectation into their minds. If you’re not happy with something, don’t release it into the public, wait for something you’re happy with.

My life advice is “Be good, and good will happen to you”. I stick by that each and every day I’m alive and it’s my modified version of the fundamentals of every religious and moral teaching throughout history.

Who are 3 other Flickr members who you admire, and why?

I guess my favourite photographers on flickr come from different backgrounds. Firstly, ex-Triple J photographer Matt Booy. I’ve been lucky enough to become friends with him over time and he was probably the person I moulded my style on when it came to live music.

Another of my favourites is another Aussie fella called AAGCTT who shoots exclusively on film, and a lot of the time on medium format. He can take a photo of pretty much anything, as mundane as it can be, and make it look fantastic. I really admire photographer who can do that, it’s definitely not something I can do yet.

Finally, I can’t go past the local master Rich, aka Yorrick. I really like Rich as a person, he’s got a warm heart and is always willing to help out. I’m not sure if knowing him and his personality biases me, but I have a lot of time to check out Rich’s work. He’s another person who can take photos of the mundane and make them look interesting, and he always has a new way of looking at things that have been photographed to death.

When you grow up, what do you want to be? Or who would you like to be? Australia’s 1st president?

I’m really happy I’m working in cancer research so I’d love to be able to continue making a difference there. In terms of photography, I’m happy keeping it as a hobby that occasionally pays a bit. Payment comes with obligation, and obligation is a sure fire way to lose the desire you have for something.

But if we’re not talking reality, i’d love to be Monkey from ‘Monkey Magic’. He has awesome sideburns, a cloud to transport him around everywhere and a pig for a friend! What more can a man want!?!

And lastly, a quick fire 5 questions. Just tell us what springs into your head when you hear these words.

Strobist. the fundamentals

Bokeh. sometimes overemphasised

Composition. knowledge is power, mould the knowledge yourself and break rules

f/1.2 yummy (but expensive!)

5D MkII. soon! 🙂


A big thanks to Lucky for taking the time to participate. I hope you found it enjoyable.

If you want to see more of his work, check out his blog.

When the timing is right.

Big Pete, originally uploaded by norbography.

Are you a gear whore seemed to stir up plenty of conversation on a couple of photo forums and Flickr groups I posted it on. It was mention in one discussion that no matter the gear, if you managed to capture what Cartier Breson called the “decisive moment”, it would make for a good photo. The shot above is one time I have managed to do exactly that. Pete is a friend of a friend, who I have only met 2 or 3 times, but this photo captured him perfectly. The boy can giggle. This shot was taken with one of my old film cameras, a Nikon FE with a Sigma 24 f/2.8 lens. Shot under pretty ordinary lighting, it captures Pete having one of those moments where you just let it all hang out. We had just all been told a rather dirty joke that obviously tickled Pete’s fancy. Although the photo isn’t technically great, the content more than makes up for it. I get a bigger buzz out of this sort of photo than some technically great shot or some arty shot that I fluked.

Love to hear peoples thoughts.