Monthly Archives: March 2009

Albert Park, F1 GP.



Fences suck!, originally uploaded by norbography.

Well, its been a while since I went to the Formula 1 Grand Prix, but the chance of a wander through the pit lane and F1 garages got me in the car for the 900km trip to Melbourne on Friday.

As it turned out, I missed the chance for a pit lane walk, but still enjoyed seeing the F1 cars blasting around the track. The car in the photo above is one of the Formula 5000 cars that raced on the Saturday that I was there.

Photography of the cars them selves is virtually impossible these days. As you can see from the photo, you are shooting through very heavy wire mesh fencing. You cant get close enough to it to use a wide aperture to blur it any more. God what I would have given for a press pass that day.

$25,000 for this???

This (click here) is this years winner of the Australian National Portrait prize. I ask you to have a look at the rest of the gallery, and someone please explain why that photo is the rightful winner over shots like David Sandlson’s shot of Len Green or John Cann and his father by Hugh Stewart? I will take part of a rant I put on one internet forum and plonk it in here to give you some idea of how I am thinking.

With regards to your opening sentence N, me being the proud little philistine that I am, I have to ask. Do you wonder why people the likes of my good self think that the art fraternity are a bunch of pretentious #$@&! when photos like the one I linked to above, win a prize worth $25,000, when the good majority of people think it is a steaming pile of #*!%? There are so many other entries in the comp that are so much better, and not just in my eyes, in every single person I have asked today. Whilst ever the chardy sipping tools are saying that is the best photo and the rest of us don’t understand why, art will never make inroads imho.

Really, I don’t understand it. Can some explain? I always thought portraits where supposed to engage the subject. Make a connection. Maybe it is why I cant take a portrait to save myself! To me, that photo is no more than a family snap shot. No offence meant to the photographer, I hope he enjoys the $25k.

Bugger!

Take off, originally uploaded by norbography.

God it is annoying when you dont frame a shot correctly. Clipping the birds wing here really pissed me off. I had hardly any time to shoot and I managed to get the focus nearly right, but stuffed the composition. The difference between a good shot and this shot is milliseconds!

Pre Loved books.

One of our local second hand book shops.

For nearly 18 months I have been in and out of one of the local second hand book shops. As much as I love poking around shops like this, I always feel slightly intimidated by the people in them. What if they ask me what books I like and I say something as mainstream as James Clavell or, god forbid, Dan Brown? I feel like I should be able to real off Dickens novels like I can cricket scores from 20 years ago. I would like to be able to understand just a little bit of Ralph Waldo Emerson. I would even like to have the talent to carry on like a pretentious wanker and quote great swathes of Shakespeare. Alas, I am but a simple fool, and Mr Clavell does it for me. Emerson may as well speak Latin, and Shakespeare puts me in a brown mood, mainly due to having it force fed to us at school. My point is, second hand book shops make me nervous.

So what the hell has this got to do with photography I hear you ask dear reader? Well, in a blinding flash whilst I waited for a work mates crumbed fish too cook, I realised there might be some treasure in them there shelves. Old photography books. Before I knew the feet were in motion and I was striding with all the confidence of a cat at Crufts into the book shop for a bit of a gander.

After wandering around and being frustrated by the lack of any sort of categorisation or signage, I relented and asked the middle aged lady behind the counter, who was just about to finish her game of Solitaire.

“Red ten onto the black jack and you are home love.” I advised, only to get a look that made me feel like I should have come armed with a quote from Eddie Allan Poe poem.

“Can I assist you?” she asked. I told her I was looking for any books they might have related to photography. “In the photography section.” she replied.

“Oh right, the photography section, the one with the huge flashing sign that say Photography Section above it?” This wasn’t going well.

She smiled, “Ah yes, sorry, just on that shelf to my right, your left. 3rd shelf up. Left hand side.” She then put the red ten on the black  jack and finished her game.

I waddled off to where I was directed and there it was, a small collection of fantastic old photography books. I started pulling books out, looking at the covers, and the photos inside. Fantastic. I lost track of time. I know I was looking through a book I recognised from home when I could smell fish and chips. Time to go.

On the way out, I thanked the lady, and advised her the red 6 could go onto the black 7. Another smile and a “see you again” and I was off.

She was right, she will see me again.